Albert Camus and “The Myth of Sisyphus”

What if there’s no reason or purpose to anything? What if being alive necessitates an awareness that life is rather pointless? What if all there is, all we can actually know is the absurdity of our existence? And, what if that’s okay?

“What, then, is that incalculable feeling that deprives the mind of the sleep necessary to life? A world that can be explained even with bad reasons is a familiar world. But , on the other hand, in a universe suddenly divest of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land. This divorce between man and his life, the actor and his stetting, is properly the feeling of absurdity. All healthy men having thought of their own suicide, it can be seen, without further explanation, that there is a direct connection between this feeling and the longing for death.”[1]

I have an entirely new respect for the absurd after reading The Myth of Sisyphus, by Albert Camus. In fact, Camus gave me words to identify something what has followed me most of my conscious life: what is the purpose? Not merely: What is my purpose? But: What is the purpose of anything? There are times I contemplate beauty and question its reason for being. Think of the multitude of flowers–the vast variety of not only classification but of variations of color, form, size, and smell within each classification—there’s some absurdity there. I get that there’s something explanatory embedded in the theory of evolution, but at the same time the sheer multiplicity of variation betrays that not even the theory of evolution can address why this rose is this way and that one that way any better than just cuz.

Even all of our best efforts to explain all the nuances of creation (of our and the world’s) through the apologetic of the existence for God have never satiated the question. Every apologetic for God and for our purpose has consistently left me with my question still in tact and on my lips, …but why? The only explanation that has ever made any sense was that none of it makes any sense. Even with the notion that God is love and God loves and thus that love–being dynamic and creative–created this world as an object of God’s love, and all that is in it and of it is representative of that love…the reason for God’s love movement is still baffling and doesn’t make sense. It’s alway and everywhere: just because.

One of my very bright and capable of students made reference in one of his papers to the idea and the certainty of the Christian claim that God is love and loves us specifically: why would an almighty being like God deign to care about puny humans? He’s right; it’s rather absurd to think and to make this claim as true. But maybe the underbelly of God’s activity and presence is less about sense-making, but absurdity. Maybe God is absurd. The gift of God’s grace to people who do not earn it (justification by faith in Christ alone)[2] and the righteousness of God that is righteousness that makes righteous,[3] are absurd. The gospel is offensive because of its absurdity and not because it makes sense.

“Any though that abandons unity glorifies diversity. And diversity is the home of art. The only thought to liberate the mind is that which leaves it alone, certain of its limits and of its impending end. No doctrine tempts it. It awaits the ripening of the work and of life. Detached from it, the work will once more give a barely muffled voice to a soul forever freed from hope. Or it will give voice to nothing if the creator, tired of his activity, intends to turn away. That is equivalent.”[4]

Rather than being the fodder of an existential crisis, absurdity, as Camus presents it, is the stuff of radical living. It’s like being able to give up all of your coveted doctrines that you cling to as reason for believing in whatever God you believe in and just believing in that God. It’s scary as hell, but once embraced the freedom is unparalleled. The dark night of the soul is the wrestling with the pointlessness of life and the nonsense of existence and finding in that moment sense and point: just because. The question shifts from …but why? to …why not? The former slows to numbing slumber upon slumber while the later propels into existence upon existence (in quantity[5]). The way Camus plays his philosophy out, the person who sees and performs the absurd of existence is the one who is liberated and thus the one who is given a present defined through revolt, freedom, and diversity. The mundane and banality of the everyday becomes glorious, because that’s the paradox of the absurd, the paradox of grace.

“All that remains is a fate whole outcome alone is fatal. Outside of that single fatality of death, everything, joy or happiness, is liberty. A world remains of which man is the sole master. What bound him was the illusion of another world. The outcome of his thought, ceasing to be renunciatory, flowers in images. It frolics—in myths, to be sure, but myths with no other depth than that of human suffering and, like it, inexhaustible. Not the divine fable that amuses and blinds, but the territorial face, gesture, and drama in which are summed up a difficult wisdom and an ephemeral passion.”[6]

Albert Camus The Myth of Sisyphus and Other Essays Trans Justin O’Brien. New York, NY: Vintage International, Vintage Books (Random House) 1955. Le Mythe de Sisyphe France: Librairie Gallimard, 1942.

[1] Camus 6

[2] Martin Luther, Commentary on Galatians vol. 26 LW pp. 113-4, “I am saying this in order that we may learn the doctrine of justification with the greatest diligence and distinguish most clearly between the Law and the Gospel. On this issue we must not do anything out of insincerity or yield submission to anyone if we want to keep the truth of the Gospel and the faith sound and inviolate; for, as I have said, these are easily bruised. Here let reason be far away, that enemy of faith, which in the temptations of sin and death, relies not on the righteousness of faith or Christian righteousness, b of which it is completely ignorant, but on its own righteousness or, at most, on the righteousness of the Law. As soon as reason and the Law are joined, faith immediately loses its virginity. For nothing is more hostile to faith than the Law and reason; nor can these two enemies be overcome without great effort and work, and you must overcome them if you are to be saved. Therefore when your conscience is terrified by the Law and is wrestling with the judgment of God, do not consult either reason or the Law, but rely only on grace and the Word of comfort. Here take your stand as though you had never heard of the Law. Ascend into the darkness, where neither the Law nor reason shines, but only the dimness of faith (1 Cor. 13:12), which assures us that we are saved by Christ alone, without any Law. Thus the Gospel leads us above and beyond the light of the Law and reason into the darkness of faith, where the Law and reason have no business. The Law, too, deserves a hearing, but in its proper place and time. When Moses was on the mountain speaking with God face to face, he neither had nor established nor administered the Law. But now that he has come down from the mountain, he is a law giver and rules the people by the law. So the conscience must be free from the Law, but the body must obey the Law”

[3] Eberhard Jüngel, Jüngel, “Living Out of Righteousness: God’s Action—Human Agency.” Theological Essays II. (Ed. J.B. Webster. Trans. Arnold Neufeldt-Fast and J.B. Webster. (Edinburgh: T&T Clark, 1995). 243. “What follows will therefore try to explain the extent to which the message of justification brings light and life not only into our hearts and our church but also equally into our world. It is no doubt for this reason that the synod has placed its work under the title: ‘Living out of Righteousness: God’s Action—Human Agency’. Yet already at this point I stop short. The subtitle of this theme can potentially blind us to a decisive point of the message of justification at the outset. For it suggests that human agency directly and exclusively corresponds to divine action. Thus one is given the impression that the relevance of divine action for humanity is ethical and only ethical. But thereby something decisive of what the gospel of justification of sinners has to say is lost. If God’s righteousness brings forth life, new human life, then the question of our being has priority over the question of our agency. And prior to both questions is certainly the question of God himself.”

[4] Camus, 116.

[5] Ibid, 72ff. I’d argue that it is both quantity and quality as long as quality doesn’t mean scarcity but substance. I see quality playing out with the reference to Don Juan. And quality is not antinomy to quantity.

[6] Ibid, 117-8