Luke 13:10-17 (Homily)
The statements “God is Love” and “God loves you” are abstract concepts. I can tell you these things all day, but apart from concrete manifestation of that love in substance and action, both statements fall flat. We live in an era where words are tossed about, rapidly and thoughtless so. We say I love you to our friends and family and then in the next breath profess love to jellybeans. What then does love mean? In the predicament where there is little concern for the substance of language, the meaning of words, and the impact of nouns and verbs, how do I communicate to you love? What does “God is love and loves you” mean? A profession of love causing you to experience and believe that profession, means the profession needs substance, the landing has to stick; deed must follow word.
We encounter Jesus on the Sabbath teaching in a synagogue. Then, seemingly out of nowhere, a woman appears having an ailment for 18 years. Luke explains: she is bent forward,[1] unable to raise herself up completely. Luke doesn’t tell us much about the woman. He only tells us that she’s suffered with this ailment for 18 years. For nearly two decades she existed in a curved-in state, unable to look up. Her eyes took in more of the ground than the sky; her face went unnoticed, turned toward the dust and dirt of her travels. The very face a mother adored, a lover loved, a child yearned for now hidden in plain sight. An identity hidden; she was merely a body in the crowd. 18 years nearly unseen. That’s a lifetime for some of you.
When she appears,[2] Jesus perceives her. In the midst of all the people attending the synagogue on the Sabbath, Jesus’s perception of her presence is identical to his question, “Who touched me?” in Luke 8, while being pressed in on all sides in a crowd. Luke loves highlighting Jesus’s divine attributes. One of those attributes is perceiving the people his society and the religious therein have ceased to perceive. Jesus sees those who have fallen through the cracks, those who have slipped off the grid, those who have been relegated to the fringe. Those who have been excluded and isolated? These he sees. And he doesn’t merely see, he perceives and he acts. Jesus loves these.
On any other day, that woman would’ve gone in and come back out without much notice. But not today; today, Jesus notices her very presence. And what does he do? He calls her to him. “Woman, you have been[3] set free from your infirmity.” And then he lays his hands upon her. In an instant (literally), she is set straight (again)[4] and (at the same time) is bestowing glory on God.
And, I am brought back to Genesis 2. The last time someone was this curved-in was when Adam felt the deep trial of isolation. In the presence of God, he longed for an other. As God gazed upon this turned in man, God said: it is not good that this man is alone. I will make a partner for him. And like the light and the dark on the first day, God pulled the man apart—taking one and making two. Just as light is its own substance and so too the dark, both the man and the woman were two complete individuals—they were equal but not interchangeable. Forever, in this swift movement of deft surgical precision, loneliness was lifted from Adam’s back and cast into the outer darkness to take up its kingdom where there is not. And God sat on his throne among the light, in the midst of the life of humanity in community in the cool of the verdant garden. And it was very good.
As Adam was set free from his infirmity of loneliness in divine intervention, so too this woman is set free. Jesus lays his hands upon her and separates her from her burden, from her isolation, from her oppression, from her exclusion. She now stands upright, for the first time in 18 years; she can see the bright light of day, the blue of the sky, the twinkling stars of night. As she stands upright, she gazes (again) into the eyes of those around her, to recognize and to be recognized in her identity. Jesus restores her to the dignity of her humanity articulated in upright posture. Not frail and hunched over, she stood tall and looked out, restored by the simple word and touch of Jesus the Christ, by his love. What was her life of burden and bondage is now relegated to the old age of what was; she is ushered into the freedom and liberty of the new age. And when that event of encounter happens with God, a thick and dark line is drawn in the sand between what was and what is and what will be; a line is drawn like the one created by the collapsing walls of water forever separating Israel from Egypt and their bondage and captivity.
In Luke’s brief story, he boldly describes the cosmic battle between God and the powers of sin and death. Jesus heals on the Sabbath and is chastised. He brings dignity and humanity to an old woman, and the ruler of the synagogue loses his mind.[5] After a stern, “Hypocrites!”, Jesus tightly correlates Satan (the powers of sin and death) to the religiosity of the rulers. According to Jesus, using the law to keep people bound in their burden and oppression is letting Satan have his way in the world. The law is good and can create and maintain freedom; but it should never be weaponized. When we love the law more than we love people, we are in the business of stripping people of their dignity and humanity. The law was made for humans, not humans for the law.
Back to the beginning, God is love because God is active and God’s activity is manifest in love loving, which is bringing freedom to the captives (in a real way). When I profess love, my love best look like this…
[1] More like “bent-forward-ing” the verbal aspect of the word doesn’t translate well into English.
[2] The word that is translated as “appear” in the text is technically “Behold!” which carries the same force of “suddenly there she was!” thus “appearing”.
[3] The perfect passive here has the force of an event that has occurred to the recipient that has ramifications into the present. In a sense, she will has been set free and will continue to be set free. Woe to anyone who attempts to reverse the divine action.
[4] Highlighting that she wasn’t always this way that at one point she could stand up straight.
[5] Quite literally, he is indignant, it’s the manner of his being in the current situation.