Sancta Colloquia Episode 306 ft. Nicole Perry

In this episode, I had a very interesting and engaging conversation with Nicole Perry (@danceNdrama1) about intimacy, vulnerability, body, and relationship. It feels like we touched on all the aspects of what it means to be intimate with another person. Intimacy is such an interesting thing and something that humans being crave. Intimacy and the desire for intimacy is very natural. Yet, it seems that in one form or another external institutions (the Church, culture, media, etc.) love to dictate to us what this intimacy should look like. The problem becomes that in the pendulum swing from the Church to media sexual penetration is the primary focus. But what Nicole demonstrates throughout this dialogue is that intimacy is what *we* make of it. Nicole, an intimacy director/choreographer, deals with intimacy on the stage in dance and performance. There are ways, according to Nicole, to perform intimately that isn’t just playing to the normal trappings of “sex-sells.” In other words, you can express intimate moments on the stage in ways that do not employ actual kissing and actual acts of sex. Part of the power of a well-performed intimate scene on the stage is built around the idea of alterity: “…your body is your body, [your] boundaries are your boundaries…” This ability to say no and to be present in the no means that you can then be present in the yes, as Nicole says, “Yes only means yes if you can say no.” Now, this isn’t just about acting, and Nicole makes that really clear. One of the highlights of this discussion is that obtaining substance of self on the stage with and among others translates into real life presence. This means we can now talk about consent if there is an ability to say no and be present, we can now talk about intimacy in boundaries (this relationship exists here and has *this* intimacy) without having to devolve into penetration as the only means by which to express this intimacy. In fact, we could argue that the church and media destroy the concept of intimacy and thus sex by making sex the ultimate and glorified cow of intimacy. In this way, the person is never allowed to cultivate confidence in her intimate-talk and intimate-actions and thus falls into the trap that a sort of desire, like, love, and attachment must become sexual. It was such a pleasure to speak with Nicole and hear how much her life on the stage causes her to be a substantial person in real life. I hope you enjoy the conversation as much as I did.

Intrigued? You should be. Listen here 

Nicole Perry is an intimacy director/choreographer, as well as director and choreographer in South Florida. Recent credits include Imagine: a Journey in Dance at the Kravis Center, choreography and intimacy direction for the US premiere of The Glass Piano at Theatre Lab, and intimacy choreography for In the Heights with Measure for Measure Theatre, where she is the resident intimacy choreographer. Nicole is a Certified Laban/Bartenieff Movement Analyst through Integrated Movement Studies. She is a member of Stage Directors and Choreographers Society and an apprentice at Intimacy Directors International. Nicole founded Momentum Stage, a non-profit providing resources for performing artists.

Further Resources:

http://nicoleperry.org/

Dr. Robyn and Activist Theology: https://activistheology.com/ The quotes were taken from Robyn’s reflection in a class given by their partner, Erin C. Law, who is one of my Laban teachers. If they are still holding classes when we get closer to broadcast, I can send you a link. I know Robyn is on Twitter as @irobyn . Erin is on Instagram as @erin_c_law .

Further reading: ugh, so much. But, Come as You Are by Emily Nagoski was a game changer. How Emotions are Made by Lisa  Feldman Barrett is also really great to thinking about emotions in context. I’m sure I will do much more reading between now and then and can send updates!

Audre Lorde “Uses of the Erotic: The Erotic as Power”

Momentum Stage: https://www.momentumstage.org and some courses:

Ethics of Touch for Teachers of Movement: https://www.momentumstage.org/arts-education/touch-course

Consent for Performers: https://www.momentumstage.org/arts-education/9xv8spp402plnz9m9bpsqwpk784jnw

Also, The Consent Awareness Network, working to legally codify what is ‘consent’.

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